Adrenaline

Because even hulking inanimate objects deserve rest.

Last week D&I were in New Orleans. We arrived on January 3rd a few days after the carnage that happened on Bourbon Street. To say there are a lot of things going on in the world right now is to massively understate reality.

Our first day there, we went to Tremé, one of the oldest neighborhoods in the city—founded in 1810—and initially the main neighborhood for free people of color. It’s also a David Simon-created TV series from 2010, which, according to the people at the Backstreet Cultural Museum, is pretty faithful to the spirit of the place. The museum itself was actually a house on the corner across from Louis Armstrong park and because New Orleans is nothing if not about the people, this wasn’t an independent wander through a hushed labyrinth of rooms, but an intimate conversation with a guy named Jimmy who explained to our small group the history of the incredibly intricate beaded costumes, often weighing upwards of 100 pounds, displayed along the walls that had been worn during Mardi Gras, jazz funerals, and other social aid/pleasure club moments. He told us how the hand beading takes months and months and months (rivaling any French couture house). The stories of the time and energy each head piece and chest plate carries is astounding. And of course there was music, because that actually is the lifeblood of the city. Jimmy had a drum and he had a song, which had a chorus consisting of “oo-na-na” that we were invited to join in on. (In my eagerness, I went early on the “oo-na-na” and Jimmy shot me a look and a not-yet head shake. sigh. I finally got it together.) The thing about the city is the sound of it. Everywhere. It lifts up into the air and illuminates and celebrates the deep rips this city has endured, then sewed together in a patchwork of pain and hope. This New Yorker article steps right into the heart of it. New Orleanians celebrate life in the face of death on the regular. Almost every weekend there is a second line parade like the one we joined on Sunday, which wound through the Garden District down St. Charles Ave. and into Central City. The first line consisted of three floats honoring the Crescent City Show Stopper’s Social Aid & Pleasure Club, The Brasshopper’s Social Aid & Pleasure Club, and the Sisters of Change Social Aid & Pleasure Club. Then the people followed, the brass band played, we danced as more and more folx joined along the way. It was both exhilarating and adrenaline-rushing in the tender yet tough way people refuse to step away from a crowd, even when a crowd had been completely and tragically undone by terror only days earlier.

Second line Sunday

After the second line, we went to Preservation Hall for more music. A small art gallery that was opened in the 1950s, the owners began inviting jazz musicians in for jam sessions and the space became a magnet for live shows. Once we stepped inside, I felt my dad everywhere, which meant the music was filled with salty teary streams. Apparently, my dad’s dad had wanted to move to New Orleans after my dad had moved to Cali for college but his mom insisted on relocating to SoCal to be closer to her only son. He was never clear on why gramps wanted to move to The Big Easy but yet I suspect my pa inherited some love of music from him. And I inherited this passion from both my dad and my mom, who loved to sing, although in the last many years she claims to have lost her singing voice. Although my love for music has gone underground, it flowers occasionally. And on that Sunday, a whole branch sprouted and shook. The movement, community, adrenaline passed one to another. I know that’s why I liked going to shows and clubs; why I like bands and the camaraderie. How that bonds me to other humans and naturally how music was a portal between myself and my dad in our den in Pasadena where I first heard him play his records: Count Basie, Ella Fitzgerald, Louis Armstrong.

Pals that my dad went pal-ing to jazz shows with, Pasadena 1964
The courtyard of our house in Pasadena, 1968.

How the Eaton fire is affecting the house I grew up in Pasadena, site of the old Bush Gardens, which was subsequently turned into a neighborhood, is yet to be seen. The flames are not many miles from our old place. I think of the den where the jagged-edged jazz riffs came out of the record player, my dad’s knees drumming, feet thwomping on the thick orange shag as he sat in his Eames chair; the waves of cold sadness echoing through my mom’s silence as she worked in the kitchen on the other side of the house, her voice only occasionally singing along to the top-40 radio, making up words to the hits of the day. I bounced in between and took the feelings in. Then the adrenaline of them splitting up and a move somewhere else, though still in Pasadena. What shakes out when everything falls apart? Once the adrenaline of a moment settles down. I can only speak for me, but it’s ongoing, the things that got buried and the new earth turned making way for fresh growth. Boy does it take time and space for it to happen, along with sensitivity and care. All of those things I’m sending toward each&every currently in need of it.

Below some links to help all those who are currently looking for solid ground in SoCal fire areas.

World Central Kitchen food distribution sites

Here is a really good list of places.

Joy

Me, Dad, Gramps

In my life I’ve been suspect of joy. Actually of the whole Joy family inclusive of cousins Bliss and Happiness. I’d catch an emotional glance at them hovering around the corners of my mood, appearing light and unencumbered, then scoff at them, thinking air-heads. It seemed a siren call to put down my worry-pack, open myself up to what I saw as their simplicity, then wham, gut-punch of pain. I would not fall for this. For that reason it was crucial to stay on guard and keep the worry-pack close at hand, even if it became increasingly heavier with old stuff I could have left behind eons ago.

I never took the time to investigate the J family close enough to understand that the matriarch, Nuance, could explain about layers and holding a few things at once. How you didn’t have to trade in one emotion for another but that they could romp around together. Instead I was all, dark, head-in-hands, existential Camus-ish drama. Fine, yes, I was in college during the depth of these moments and I know that it was my job to feel overly much during this part of my life but moving to New York City and shrugging on all-black, the city-certified color code, only served to solidify my commitment to emotional gravity. Plus I was from California so shedding the sunshine vibes was a thing to take seriously.

But during the season of twinkling lights—roughly end-of-October to January—I felt a wonderment adjacent to joy that I had a hard time ignoring. I wasn’t all that vocal about it but I did give in to walking up and down Fifth Avenue appreciating the sparkly window displays and the giant tree in Rockefeller Center that I could never really get that close to given the thousands of other humans who felt the same way I did. There were also the side neighborhoods with the subtler displays that twinkled after dark. I loved those too. (Then there’s Dyker Heights, Brooklyn, where over-the-top light displays are like a visit to another planet where electricity is just another word for blindingly bright.) Over time, I came to understand that I could indulge in these annual emotional shiny bits and that they could ride alongside gravity. It wasn’t as if I’d forgotten about sadness or world-strife or even personal discomfort.

Thinking back, I only have good memories about the lead-up and subsequent night before and morning of Christmas. Sure, I’m an only child who in my younger years had a set of grandparents on my dad’s side and an occasionally present grandmother on my mom’s. There was definitely doting. So that particular holiday saw a windfall of books, dolls, Matchbox cars, and whatever else I may have pointed a small finger at and said, I like that, which would then end up under the tree. Even in my teenage years after my parents divorce when I split the difference between mom’s for the Eve and dad’s during the Day, I still let my heart twinkle with the lights. We weren’t church-goers although in my early-early years I think there might have been an Eve visit where the music made me feel a lot of things.

My NYC twinkle-season holidays were often shaggy dog affairs if I was working and staying in the city. I was never sad about those. The most memorable one was when I hosted an Eve meal at my apartment on 14th street. There were about six people I loved dearly around a table for barely four. Before they arrived I lit candles too close to the fir branches stuffed in a vase and they went up in flames. Yet still, all that was lost was the foliage. I made veal because I’d decided … I actually have no idea what I’d decided my culinary choice was there. One of my guests who was a vegetarian was horrified, one of my guests who was Scottish appreciated, and now, in retrospect, I too am sad about the veal, feeling as I do about animals and in particular how veal comes to be. It also snowed. The whole night, as I remember it, was a lot of things. A container holding my need to feed and please, and an ache for the past I’d grown away from.

Time and understanding. How the now and then blur. The lines are colored outside the boundaries and one messy picture of life emerges. When we moved here to Cali to be with my dad, the last three Christmases have seen me determined to make magic moments. Magic is a big word and an even bigger responsibility. There were certainly moments of loveliness, so much loveliness, and joy. There was also, I see now and am not surprised by, elements of my forward motion that did not allow for soaking in the actual feelings at hand. I wanted badly for my dad to be happy. And, as we ate our oyster stew with crusty bread on the Eve—a thing that happened because he’d talk about how his mom had made oyster stew on their family Eve, so I wanted to recreate that memory, after we’d opened one present because that’s what you did the night before, then the next day as I handed out a present to each of my favorite guys, I knew he was happy. I also knew he’d have been happy sitting with us in a (heated) cave as long as we were together.

I tried extra-hard last year as I saw the edge of dementia peeling back steadily and decided to dazzle him with distraction. This was not altogether successful. Understanding that to have a day going to See’s Candies, Barnes and Noble, then to lunch as we’d done the years before and which had turned into, in my mind, a tradition, was not the pleasant outing for him that I’d crossed my emotional fingers and wished for. It was instead exhausting and disorienting yet I know he was determined to do it, mostly to make me happy. (That sound is a piece of my heart that just broke off and fell to the floor.) Still&all, the simple days of the season were lovely.

This year is particularly poignant. I love the twinkling lights, the smell of fir, the cozy bits, and nog. I recognize the joy and understand the tear rolling down my cheek is a mixture of all sorts of things that probably don’t need a label because they just are. I miss my dad. I also feel warm and happy when I think about him. I’m choosing joy because why not. I’m also allowing for grief because of course. The other day I saw the video below (also click here), which is so happy-making that I wept snottily and messily while also grinning and warm with happy (just watched it again. Still having that effect.). Because it’s one-hundred-percent true, the whole family of feelings can tumble together: awe, aching heart, giggling, raw sobs, and the rest. Bruises happen. So does joy.

@vantoan___

Wait for it 🥹❤️ I was playing the piano when suddenly, a 8 years old girl asked me to play « River Flows in you » and then she played with me ! 🎻😱 All the train station was shocked !! #piano #violin #riverflowinyou #publicreaction

♬ son original – Van
Please to watch this and enjoy! Happy season!

(I’m out of town next week so will see you all in the New Year!)